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Aspects of editing

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Transitions There are several different types of transitions in film. They transfer one shot to another. The most common one you will find is the jump cut where the shot ends and is instantaneously replaced with then next. Fade Where the proceeding shot fades into black from which the following shot emerges. It can show tiredness or a passage of time. Dissolve or cross fade The proceeding shot emerges into the following shot, resulting in two shots being super imposed. It can show the association between a subject and another subject or a location. Wipe This is where one image is revealed over another horizontally, vertically, diagonally or even using a shape or pattern such as a diamond. It can show momentum and motion or can add to humour. Pace & Rhythm The duration of a shot can reflect the narrative context, conveying action and urgency in a car chase for example. For a slower paced and less intense scene shots will last longer. Longer lasting shots c...
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Mise-En-Scene

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Mise-En-Scene The term can be known as ''putting in the scene'' , ''placing on the stage'' and or ''everything you see on the screen''. It is the roots of theatre and a key component within film language. It displays the visual information in front of the camera and this information is essential to communicate. In Mise-En-Scene there are 5 main elements; Settings and props Costume hair and makeup facial expressions and body language lighting and colour position of characters and objects in the frame Setting This important part of film making doesn't just mean the background of a scene but its overall tone as well.When finding areas to film it may be hard to find so some sets are built from scratch. If this is too hard to do location recce's find areas for the filming that already exist, however this may take a large amount of time. In some cases settings can be used to mislead audiences and build certa...
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Target audience

In 2014, 15-24 year olds made up the largest proportion of the UK cinema audience, at 31%.  ■ UK films were popular across all demographic groups, with a particularly strong appeal for those aged 55 and above. Cinema-goers in this age group also showed a strong preference for UK independent films. ■ 22 Jump Street had the largest above-average audience share among the 15-24 age group, while Mr. Turner had the largest share among cinema-goers aged 55 and above.  ■ A wide range of genres appealed to women, whereas men were drawn to films with a strong action element. ■ UK films attracted above-average audiences across the nations and regions with the exception of the South East and West and South West. ■ Black and minority ethnic groups were over-represented among cinema-goers, video rental and digital film consumers; disabled audiences were over-represented amongst video buyers. From this I am able to see that most people that watch comedies are teenagers or young adul...
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